Report: Movie rentals coming to iTunes

Saturday, January 19, 2008

art.apple.itunes.afp.jpg

SAN JOSE, California (AP) -- Apple Inc. is preparing to announce next month the long-rumored launch of a movie rental service through its online iTunes Store, as well as a groundbreaking licensing deal of its anti-piracy technology -- moves that could dramatically boost the appeal of digital movie distribution.

Apple's online iTunes Store will soon offer movie rentals.

News Corp.'s Twentieth Century Fox is one of the first studios that has agreed to make its films available for rent digitally through iTunes, according to a Financial Times report Thursday that cited unnamed sources.

Apple also has agreed to license for the first time its copy-protection platform called FairPlay so the technology would be built into Fox DVD releases, allowing users to easily transfer the movies from the disc to a computer or an iPod for playback.

Representatives at Apple and Fox declined to comment.

Apple has been in talks with major film studios over the past year, and analysts have speculated that it was only a matter of time before licensing deals on online movie rentals would be worked out.

Fox and other major studios are already experimenting with digital movies to rent or buy through other online services such as Netflix Inc. or Vudu Inc. But the popularity of Apple's online store and iPod media players makes iTunes an attractive distribution outlet, especially as more consumers are expected to latch onto getting their entertainment anywhere -- from their PCs and TVs to their handheld gadgets.

"The iPod is the most important media player right now, and if you're one of the studios, you're going to want to play with Apple here," said Michael Gartenberg, a Jupiter Research vice president.

Full-length films are available on iTunes -- but only for sale so far, and consumer interest in movie downloads has lagged behind music purchases.

"People want to watch movies but not necessarily own them," Gartenberg said. "If Apple can simplify the digital movie services like they did with music, then we're talking about a very significant change in the online video rental landscape."

Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

Is technology, once the music industry's enemy, now a lifeline?

art.future.music.ap.jpg

LOS ANGELES, California (AP) -- When you're not inclined to give your product away for free, make your customers believe they're getting something for nothing.

Major recording labels are under pressure to explore new ways to get music fans to pay for music.

That's the thinking behind some of the offerings music fans may see this year as the recording industry scrambles to offset losses from plunging CD sales and find new sources of revenue when many consumers simply download music for free.

Among the business models music fans are likely to see more of: music subscriptions bundled with the price of Internet access, and services like Nokia Corp.'s upcoming Comes With Music, which would give users of select mobile phones a year's worth of unlimited access to music, for no extra charge.

Music companies also are expected to license songs for more ad-supported Web sites like imeem, which lets visitors watch videos or listen to full-length tracks posted by other music fans for free.

Major recording labels, long-criticized for being too slow in adapting to changes brought by the Internet over the last decade, are under pressure to explore new ways to get music fans to pay for music, leading to more choices for consumers.

In 2007, the recording industry arguably took the boldest steps yet.

After years championing the necessity of copy-protection safeguards on digital music, three of the world's biggest recording companies agreed to license their music for sale online as unprotected MP3 files. Many analysts expect the last holdout, Sony BMG Music Entertainment, to follow this year.

That's an important step for music lovers hesitant about buying digital music because songs are generally tied to specific devices -- for example, Apple Inc.'s iPod players can't play copy-protected music not bought at Apple's iTunes store.

"It seems clear there's an accelerated pace of change that comes hand in glove with accelerated decline in traditional business," said Eric Garland, chief executive at BigChampagne Online Media Measurement, which tracks online entertainment.

Recording company executives who once saw new technology as the enemy seem to now see it as a lifeline.

The major labels -- Sony BMG, Vivendi SA's Universal Music Group, Warner Music Group Corp. and Britain's EMI Group PLC -- declined to comment.

In a recent memo to employees, Warner Music Chairman and CEO Edgar Bronfman Jr. touched on the importance of developing new areas of digital music. The company's stock price has plunged more than 75 percent over the past year.

"There's no denying that WMG and the industry as a whole have been struggling for almost a decade now with the challenges and opportunities that the digital space presents," Bronfman wrote. "The recent trend of dramatic changes in the recorded music market will continue. ... And, though it's a cliche, it's a cliche because it's true: technology will also provide us with new opportunities."

Bronfman alluded that the industry this year would pursue a way to "monetize the unauthorized flow of our artists' audio content on the Internet."

That could involve striking deals with Internet service providers to help compensate labels for the millions of songs swapped online.

Another approach involves Internet service providers offering a pricing tier that comes with unlimited music downloads or faster download speeds that might be attractive to computer users who download a lot of music files.

Last year, Universal Music began testing an unlimited music download service in France offered through broadband provider Neuf Cegetel.

Then there's Universal Music's Total Music, which is expected to extend what Universal is doing with Nokia's Comes With Music to everything from personal computers to digital music players, with the cost of the music built into the price.

Internet users collectively download about 1.1 billion songs from file-sharing networks every month, according to BigChampagne. So the music industry's success could be tempered if those people see little value in digital music without copy-protection strings or services offering feels-like-free music.

Sales of digital tracks at iTunes and elsewhere surged 45 percent last year compared with 2006, according to Nielsen SoundScan. But digital music still accounts for a small portion of overall music sales, and U.S. album sales in CDs and other physical formats dropped 15 percent during the same period.

Combined, the number of albums sold declined 9.5 percent.

"The industry for the last several years had hoped that eventually the pain would subside and they expected that eventually the market slowdown would level off," said James McQuivey, media and technology analyst at Forrester Research.

Instead, he said, the recording industry saw CD sales falling even faster.

In a research note issued in November, Pali Capital analyst Richard Greenfield suggested retail floor space for CDs would probably shrink this year by as much as 30 percent.

Like many other music retailers, Related Cos.' Virgin Megastores North America has diversified its product offerings in recent years, adding clothing, novelties, electronics and other items to help offset CD sales declines.

After two years of moderate declines, Virgin's same-store music sales rose 5 percent last year compared with 2006, while overall sales jumped 15 percent. CDs now represent only 40 percent of overall sales, said Kevin Milligan, Virgin's vice president of product and merchandising.

Despite mixed results trying to breathe life into the CD by adding video and other multimedia extras, the recording industry will roll out a host of new variants to stores this year.

One, dubbed the CD-View Plus, lets customers access a trove of additional content when they go online. Another is digital gift cards, which enable users to download specific albums, something Starbucks already sells.

"There's a lot of experimentation going on," said Jim Donio, president of the National Association of Recording Merchandisers, a trade group that represents hundreds of retailers, record labels and other music-related firms.

Music fans are also likely to see more albums released in multiple versions, such as pricier deluxe or limited-editions, and more albums pre-loaded onto small, portable storage devices such as thumb drives attached to rubber bracelets.

Consumers may also see a bigger push this year for CD singles, dubbed "ringles," that include mobile phone ringtones and other digital content, Milligan said. Universal Music and Sony BMG, which is a joint venture of Sony Corp. and Bertelsmann AG, are among the labels that have plans to release ringles, he said.

"Everyone is looking for a formula that will provide healthy growth for the industry, which I believe will come," Donio said. "The other side of this will be loaded with new kinds of opportunities, for arguably a marketplace that probably doesn't look anything like it looks now."

Copyright 2008 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

Lost for words: Facebook may lose Scrabulous

art.scrabble.afp.gi.jpg

LONDON, England (CNN) -- Popular social networking site Facebook has been asked to remove the Scrabulous game from its Web site by the makers of Scrabble, agencies have reported.

Facebook's Scrabulous application may have to go after the makers of Scrabble complained.

Hasbro and Mattel jointly wrote to the site's U.S. headquarters, calling for the game to be pulled, citing copyright issues, the UK's Press Association has said.

Mattel released a statement saying: "Letters have been sent to Facebook in the U.S. regarding the Scrabulous application.

"Mattel values its intellectual property and actively protects its brands and trademarks.

"As Mattel owns the rights to the Scrabble trademark outside the U.S. and Canada we are currently reviewing our position regarding other countries."

Hasbro owns the rights to the game in the U.S. and Canada.

According to Mattel's UK office, the online version of the popular board game was created by a third-party organization based in India.

Facebook surpassed MySpace and Bebo as the UK's most popular social networking site just last year with more than half a million daily users.

The official Scrabble Web site says that more than 100 million sets of the game have been sold in 29 different languages in 121 countries worldwide since its launch in 1948.


Source from: edition.cnn.com

Lenovo jumps into consumer market

art.lenovo.jpg

(CNET.com) -- Computer maker Lenovo has announced a whole new brand of consumer-oriented laptops and desktops. Called IdeaPad and IdeaCentre, the lines are intended to complement the company's flagship business-oriented ThinkPad and ThinkCentre lines.

Lenovo's IdeaPad U110 laptop features a textured red lid.

Their announcement does not include any specifics on desktop models, we learned plenty about the new IdeaPad laptops.

The first full line of entertainment-oriented Lenovo laptops to hit the United States (we saw one consumer model, the Lenovo 3000 Y410, sneak into the States last fall), IdeaPads include such welcome design touches as textured lid finishes and a sleek "frameless" screen that's ergonomically situated a bit farther away from the keyboard than most laptops.

Also key to the IdeaPad look are touch-sensitive media controls above the keyboard and a bright orange button, called the Shuttle Key, which can be used on its own to control volume or in combination with the touch controls for additional functionality (somewhat like a Fn key).

There's Front Row-like media software, called Shuttle Center, and Dolby Home Theater sound.

Every IdeaPad is also outfitted with a built-in 1.3-megapixel Webcam, VeriFace software for biometric security via face recognition, and a ThinkVantage-like Novo key that provides quick system recovery should you ever encounter a data-destroying virus.

The announcement includes the first three laptop models in the IdeaPad line: the 17-inch Y710, the 15.4-inch Y510, and the 11.1-inch U110. Individual specs and details after the break.

First up, the IdeaPad Y710, which Lenovo describes as "the 17-inch notebook for entertainment-focused users."

Key specs include a 17-inch wide-screen display with a 1,440x900 native resolution, a 256MB ATI Mobility Radeon HD2600 graphics card, and Dolby Home Theater sound with a built-in subwoofer.

The laptop can be outfitted with a Blu-ray drive (handy when paired with the laptop's HDMI output) as well as up to 500GB of hard drive space for your collection of media files.

If those features don't provide enough entertainment, there's always the glowing Lenovo logo on the lid and lighting along the side bezels.

Early photos of the IdeaPad Y710 also reveal a feature called the Lenovo Game Zone, located to the right of the full-size keyboard. In addition to oversize directional keys for game control, there's an overclocking switch to control CPU speed and a secondary display to show performance information. I'm told this feature won't initially be available on models in the United States, but it is expected to appear on our shores early in the second quarter.

The IdeaPad Y710 weighs 7.9 pounds and measures between 1 inch and 1.5 inches thick, making it a relatively portable desktop replacment. Pricing starts at $1,199--though features like the Blu-ray drive will likely raise the cost significantly--and the laptop will be available this month at Tiger Direct.

The IdeaPad Y510, meanwhile, is aimed more at generalists. Its 15.4-inch display features a fairly typical 1,280x800 native resolution and its 6.4-pound case is stocked with midrange components: a handful of processor choices topping out at the 1.83GHz Core 2 Duo T5550, integrated Intel graphics, up to 4GB of 667MHz RAM, and up to 250GB of hard-drive space.

The Y510's standout features are its Dolby sound, including a subwoofer, and an LED battery life indicator on the keyboard deck.

The laptop also features an attractive "light weave" texture on its gray lid. With a starting price of $799, it should stack up favorably against similar sub-$1,000 laptops we reviewed last fall.

The Y510 is available this month at various retailers including Best Buy, Newegg, and Tiger Direct.

Last but not least (unless you're talking about weight) there's the IdeaPad U110, a 2.3-pound ultraportable with an 11.1-inch screen.

Judging from the floral design on its textured, red, aluminum-alloy lid, the U110 is aimed at women who want a lightweight machine for personal use.

Being squarely in that demographic, I'm smitten by this laptop's looks. Adding to its appeal: thickness that ranges from 0.7 inch to 0.9 inch.

Like the Y710 and Y510, the U110 features a "frameless" display plus the Shuttle Key, touch-sensitive media controls, and Dolby Home Theater sound, though it (unsurprisingly) lacks a subwoofer.

To that the U110 adds support for a solid-state drive, which should provide faster access to data and--important in an ultraportable--lengthy battery life. Some configurations will also include Lenovo's Active Protection System, which protects the hard drive in case the laptop is dropped.

The IdeaPad U110 isn't scheduled to ship until April, which is why the rest of the details are sketchy. However, the laptop will likely incorporate low-voltage Core 2 Duo processors on Intel's latest Centrino Duo platform, 667MHz RAM, and up to 160GB of hard drive space.

The official starting price has yet to be set, but given the inclusion of a costly solid-state drive, the IdeaPad U110 will likely cost around $1,800.


Source from: edition.cnn.com

Streaming audio at a great price

art.logitech.jpg

(CNET.com) -- Digital audio is great--especially if you've got a multigigabyte music collection sitting on your computer or you subscribe to an "all you can eat" music service like Rhapsody.

The problem, for a lot of people, is that they're stuck listening to all that great music on the tinny speakers of their computer--or perhaps patching the laptop into their living room stereo system.

Dedicated audio streamers have helped somewhat, but they have tiny little screens, which--like docked iPods--aren't very useful if you're sitting on a sofa across the room. And the best solution to date--the excellent Sonos Digital Music System--costs a prohibitive $1,000.

Enter Logitech's new Squeezebox Duet: the $400 network digital audio streamer employs a winning handheld remote with a brilliant color screen (not unlike an iPod) that lets you navigate your entire music collection--including some online services and the majority of free Internet radio stations--from the palm of your hand, even while you hear the music from the big speakers of your home stereo.

The Duet is so named because it's a two-part system: a base station and the remote. The base station is a nondescript black brick that pulls audio from a networked PC or the Internet via your Wi-Fi or Ethernet home network, and outputs to your stereo from its analog or digital (coaxial or optical) jacks.

But the real innovation is the remote: beyond the ten buttons controlling standard functions (volume, play/pause, track forward/reverse), it features an iPod-like scrollwheel and a brilliant 2.4-inch color LCD screen. That puts the song navigation where it belongs: in your hand, instead of a small LCD readout halfway across the room. (A charging cradle for the remote is also provided, so it can juice up while not in use.)

Aside from the much improved ergonomics and design, the Duet keeps much of the same under-the-hood technology found in earlier Squeezebox music streamers.

That means it's compatible with nearly every non-DRM file format under the sun (including audiophile faves Apple Lossless, WMA Lossless, and FLAC) as well as free Internet radio stations and paid subscription online music services such as Rhapsody and Pandora.

Logitech is also working to ensure that the Duet will also be backwards compatible with earlier Squeezebox models--meaning they can act as base stations in additional rooms (listening to the same music or other streams) and still interact with the Duet remote.

Likewise, the latest Squeezebox will still adhere to the company's open-source roots: in addition to running a new and improved version of the open-source SlimServer music manager, the company expects to incorporate community-based improvements into the unit via its upgradable firmware.

Logitech provided a behind-closed-doors demo of the Squeezebox Duet to CNET a few weeks ago, and we liked what we saw. It's a solid upgrade of the Logitech Wireless DJ concept, turbocharged with the superior networking, software, and audio expertise found in earlier Squeezebox models.

We'll reserve final judgment until we get a production model for review, but--as first impressions go--the Duet has all the makings of a winner.

At the very least, it looks to be a strong alternative to the Sonos Digital Music System, delivering a similar experience--a network music player with a superior handheld remote--for hundreds less than the Sonos, which has long been the king of the hill in the still nascent product category.


Source from: edition.cnn.com

Sony's Cyber-shot DSC-H7 great for outdoors

art.sony.cybershot.dsc.h7.jpg

Sony changed quite a few details, inside and out, between last year's H5 and this year's megazooms, the Cyber-shot DSC-H9 and DSC-H7. An f/2.7-4.5 31mm-465mm 15x supersedes the 12x zoom on last year's, and the resolution kicks up a notch from 7 to 8 megapixels. Say goodbye to AA batteries and hello to a proprietary lithium ion.

Two features differentiate the H9 and H7: The H9 retains the same excellent 3-inch flip-up LCD as the H5, while the H7 uses a fixed 2.5-inch version, and the H9 includes Sony's NightShot infrared mode. They are otherwise identical.

The plastic body feels a bit cheap, and the grip--a bit larger than the H5's--could use more of a rubbery texture.

Sony also "improves" upon the simple four-way-plus-set navigation controls of the H5 by adding a scroll wheel and now-Sony-standard Home and Menu buttons.

I love the scroll wheel, but it takes a little while to get used to the operation for adjusting shooting settings.

You toggle between changing the particular setting and changing the settings values with the OK/Set button; the changeable option turns yellow.

In theory, it's all very logical. But in the heat of the shoot, it requires a little too much thinking. Still, it makes sense, so it shouldn't take long to adapt.

And after using several Sonys, I'm still not thrilled with the Home button. When you press it, the first item it shows you is Shooting; but when you select that, it displays the current mode dial setting and tells you to use the Menu button to change the current settings--in other words, telling you that you've pressed the wrong button.

If it's that confusing, perhaps it needs some restructuring.

On the other hand, you have to scroll over four categories and down a level to get to settings such as AF illuminator and AF mode, then down another level to change the flash-sync mode. (Especially since you can get to these more easily via the Menu button.) True, these aren't settings you want to change frequently, but why bury them quite so deeply and keep the useless info closer to the surface?

The H7 and H9 offer a typical set of manual, semimanual, and automatic exposure options, including scene modes for high ISO, portrait, twilight portrait, landscape, twilight, beach, snow, and fireworks. (Inexplicably, on the H7, the metering and bracketing/continuous shooting must be changed via the LCD, while on the H9, they have dedicated buttons.)

There are also more sophisticated choices such as Face Detection and Advanced Sports Shooting.

Face Detection operates only within full automatic mode, and you have no control over which faces it sees or selects. The advanced sports mode sets the camera to a fast shutter speed and uses a continuous autofocus.

If you don't count the slog through the menus, the H7 delivers good speed for its class. (Though the results vary slightly from those of the H9, they are all well within a 3 percent margin of error.)

Based on CNET Labs' test results, it wakes up and shoots in a reasonable 2.2 seconds, with a shutter lag of 0.5 second and 1.2 seconds in bright and dim light, respectively.

It can shoot consecutive single images 1.5 seconds apart, growing to a modest 2.8 seconds with flash enabled.

Continuous shooting is fixed at about two frames per second (fps), regardless of image size, and can run for about 18 shots before it starts to slow.

I was a bit disappointed by the surprisingly small electronic viewfinder. Sony's Super SteadyShot optical image stabilization, as ever, works very well.

Under the right circumstances, the photos look very good.

Those include shooting at sensitivity settings of ISO 200 or lower, in bright sunlight.

Thanks to the fast continuous shooting, solid stabilization and reliable center-point focus, the H7's sibling the H9 delivered the best results I've had so far shooting dogs in the park.

The EVF updates quickly enough to make it possible. The automatic white balance does a solid job, if a bit cool, and colors look bright and saturated.

As with other megazoom lenses, however, the Sony's displays some distortion, chromatic aberration (edge discoloration) on the sides of the photo, as well as purple fringing on high-contrast edges.

In general, the Canon PowerShot S5 IS exhibits better sharpness both in the center and from side-to-side. As for shots at medium-to-high sensitivities, I suggest you avoid them.

For movie capture, Sony makes a slightly better trade-off than most between file size and movie quality. Though they're not quite as sharp, its 30fps VGA MPEG movies require about 1.3MB/sec of storage--far less than the Canon's 2MB/sec M-JPEG recordings. One disappointment here is the tiny microphone that records muted audio.

If you shoot primarily outdoors in daytime--especially sports, children, and animals--and don't find the interface quite as crazy-making as I do, the H7 is a good choice.

The approximately $100 difference in street prices between the Sony Cyber-shot DSC-H7 and DSC-H9 makes your choice simple: If you can forgo the infrared and the flexible LCD, then buy the cheaper model.


Source from: edition.cnn.com

Is she or isn't she? Mummy lab working to ID pharaoh queen

Sunday, January 13, 2008

art.queen.hatshepsut.afp.gi.jpg

CAIRO, Egypt (AP) -- Months after Egypt boldly announced that archaeologists had identified a mummy as the most powerful queen of her time, scientists in a museum basement are still analyzing DNA from the bald, 3,500-year-old corpse to try to back up the claim aired on TV.

DNA testing continues on these mummified remains thought to be Queen Hatshepsut.

Progress is slow. So far, results indicate the linen-wrapped mummy is most likely, but not conclusively, the female pharaoh Queen Hatshepsut, who ruled for 20 years in the 15th century B.C.

Running its own ancient-DNA lab is a major step forward for Egypt, which for decades has seen foreigners take most of the credit for major discoveries here.

It's time Egyptian scientists took charge, said Zahi Hawass, Egypt's antiquities chief who spearheaded the quest to find Hatshepsut and build the lab. "Egyptology, for the last 200 years, it has been led by foreigners."

But the Hatshepsut discovery also highlights the struggle to back up recent spectacular findings in Egypt, including the unearthing of ancient tombs and mummies, investigations into how King Tut died, and even the discovery in the Siwa oasis of possibly the world's oldest human footprint.

So far, the science shown in the Discovery Channel's "Secrets of Egypt's Lost Queen" has not been published in a reputable peer-reviewed scientific journal -- the gold standard of scientific research worldwide.

And some scientists, even ones working on the project, have raised concerns.

"I think the people at the Discovery Channel went way too much 'CSI,"' said biological anthropologist Angelique Corthals, referring to television's "Crime Scene Investigation" series.

"They think you can pick up evidence at 2 p.m. and by 6 p.m. you get results," added Corthals, a scholar at England's University of Manchester who has been helping Egypt establish the DNA lab.

In June Egypt announced that Hatshepsut's mummy had been found, and about a month later the Discovery Channel aired the documentary -- showcasing scientific breakthroughs including CT scans and DNA testing. The mummy is now on display in a glass case in the Egyptian Museum's royal mummy room.

Hawass, other Egyptian officials and the Discovery Channel all stand by their findings, even though the DNA testing is incomplete.

"So far there is some agreement and no discrepancies. The results are quite encouraging," said Yehia Zakaria Gad, a molecular geneticist who heads the ancient-DNA lab at the Egyptian Museum.

Most of evidence that led Hawass to declare the mummy to be Hatshepsut did not come from DNA but from CT scans. Those scans showed that a tooth found in a relic box displaying the pharaoh's insignia matched a gap in the mummy's jaw.

CT scans also showed facial similarities between the mummy and already identified mummies of Hatshepsut's royal relatives, as well as evidence of a skin disease that the queen may have shared with some of them.

"The reason why we went with such a strong claim was because the CT scan was conclusive and the fact that the missing tooth provided the missing clue. ... I don't think that the DNA testing will indicate otherwise," said Peter Lovering, Discovery's senior programming executive.

Now, scientists at the Egyptian Museum lab are comparing Hatshepsut's DNA sequences to the previously identified mummy of Hatshepsut's grandmother -- the first such attempt in Egypt at using this scientific analysis to verify a mummy's identity. DNA is the unique genetic code of a person and a key tool in solving decades-old crimes, establishing paternity and finding cures for diseases.

The Discovery documentary, which showed scientists extracting the DNA from the mummies, did indicate the DNA results were incomplete and did not say those results proved the mummy was Hatshepsut.

But Corthals still has raised concerns about the expectations placed on the new DNA lab.

She said the team at the Egyptian lab was under "a lot of pressure" to produce results. She said they had "very good preliminary results," but that it will still take months to verify that those results were not a fluke.

Egypt also lacks an independent second lab to review the testing. Before any DNA results can be published in a scientific journal, the Egyptian Museum lab must duplicate its initial findings -- which have not yet been completed -- and then the samples must be sent to an independent lab to be replicated.

"The ancient-DNA world goes by a very stringent set of criteria. ... One of the biggest is replication by an independent lab," Corthals said. "If you don't do it, particularly with something so famous as this mummy, no peer review journal will publish it.

"And if you don't get it published in a peer review journal, as a scientist, you haven't done anything," she said.

Hawass says he is trying to get a second DNA lab set up in Egypt. The first $5 million lab, funded by the Discovery Channel, is the centerpiece of an ambitious plan to identify mummies and re-examine the royal mummy collection.

The process is time-consuming, especially for a new lab with scientists who have little experience with mummy DNA. It takes three days just to extract the delicate DNA; then scientists must spend at least three more days completing one test on one sample. Months are needed to make a finding.

During a recent tour of the lab by an Associated Press reporter, Gad was not firm on how much more time is needed to complete initial tests on Hatshepsut, saying only that he was "nearly there."

The Discovery Channel paid for the current lab in exchange for exclusive rights to film the search for the Hatshepsut mummy. Hawass said he's offering other companies a similar deal: the rights to film a highly coveted expedition -- possibly the search for King Tut's family -- in exchange for a second lab.

"This is how I use TVs to bring technology here," he said during an interview in his Cairo office. He added that he has had nibbles about a deal, but would not elaborate.

Hawass has ambitious plans for DNA testing in Egypt, including examining all the royal mummies and the nearly two dozen unidentified mummies stored in the Egyptian Museum. He believes DNA tests will show that some royal mummies on display are not who archaeologists thought they were.

One example is the mummy of Thutmose I, Hatshepsut's father, found in the late 19th century amid the ancient sites in Luxor. But further investigation discovered that the mummy was too young to be Thutmose I, who died in his 50s, Hawass said.

"I really do believe that the Egyptian mummy project is going to be very important in revealing lots of secrets," he said.

But not everyone is convinced.

A mummy's age, the mummification process and the condition in which it was stored all contribute to a high degree of contamination and results that are not foolproof, said Salima Ikram, a professor of Egyptology at the American University in Cairo.

"It is exciting and it can be useful. But please, use it with a little bit of caution," she said.

Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

Mars mission delayed 2 years

art.mars.planet.jpg

WASHINGTON (AP) -- NASA will wait two years longer than planned and spend another $40 million to launch a half-billion-dollar probe to Mars because of an unspecified conflict of interest in the purchasing process, officials said Friday.

NASA will have no Mars mission in 2011.

The Mars Scout program had scheduled a 2011 launch of the $475 million Mars atmospheric probe and was going to choose proposals for the mission from one of two Colorado research institutions. But a "serious" conflict of interest in one of the proposals forced NASA to disband the board formed to pick the proposal, officials said, declining to elaborate.

The agency created an entirely new panel, and that caused a delay in awarding the contract, Mars Exploration Program Director Doug McCuistion said. And since Mars only comes close enough to Earth to launch probes every 26 months, NASA had to postpone the mission from 2011 to 2013, he said.

NASA will have no Mars mission in 2011, the first time in more than a decade that the U.S. space agency will miss an opportunity to explore the red planet, McCuistion said. A European 2011 probe earlier had been postponed to 2013 and only Russia is talking about a 2011 mission, he said.

McCuistion initially said the delay would increase the cost "slightly" because it would involve more years and inflation. Pressed by reporters, he said that meant about $40 million, but it could be less.

"This was not a conflict of interest that could be avoided," McCuistion said. He refused to say who it involved or what kind of conflict it was or who was on the board, saying revealing that type of data could "compromise the competition" between the two proposals.

Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

Astronaut mourns mother from space

art.tani1.ap.jpg

LOMBARD, Illinois (AP) -- As NASA astronaut Daniel Tani orbited Earth, hundreds of mourners filled a suburban Chicago church Sunday to remember his 90-year-old mother as someone who endured hardship to raise five children and worked until age 70.

Rose Tani spends time with her grandchildren, Lily, right, and Keiko in this undated family photo.

Rose Tani died December 19 when a train struck her car. Daniel Tani, 46, who is aboard the international space station, could not travel back for the service at his mother's church, First Church of Lombard, and sent a video message.

Daniel Tani "has lost the person who has been his inspiration for most of his life," said Rev. Rob Hatfield, according to a WLS-TV report posted on its Web site.

Rose Tani was remembered as a woman who braved a U.S. World War II internment camp, raised her children after her husband's death and worked in a school cafeteria until she was 70.

Police said Rose Tani stopped behind a school bus at a railroad crossing and then drove around the vehicle, bypassing the lowered crossing gate. A train struck the passenger side of her vehicle and pushed it down the tracks before stopping.

NASA has said Daniel Tani is believed to be the first American astronaut to lose a close family member while in space.

A private funeral service is planned for when he returns from space early next year.

Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

China to launch rockets, manned mission, in Olympic year

art.capsule.gi.jpg

BEIJING, China (AP) -- China plans to launch its third manned space mission that will feature its first-ever space walk during 2008, state media said Tuesday.

Engineers retrieve the re-entry capsule of Shenzhou VI in 2005, China's second manned spacecraft.

China will also send up 15 rockets and 17 satellites, Huang Qiang, secretary general of the Commission of Science Technology and Industry for National Defense, was quoted as saying by the official Xinhua News Agency.

He described Shenzhou 7, which will carry three astronauts into space, as a priority for this year.

China has denied any link between the manned mission and its staging of the Olympics, which start August 8, although both events are a source of huge national pride.

Huang was also quoted as saying that nearly 30 new technologies would be used during the Olympics, including the Olympic torch, security system and meteorological services provided by a new satellite.

In 2003, China became only the third country in the world after the United States and Russia to send a human into orbit.

It followed with a two-man mission in 2005.

It launched a moon probe last year about one month after rival Japan blasted its own lunar orbiter into space.

Copyright 2008 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

Businesses have designs for the poor

art.tradeshow.afp.jpg

(CNN) -- As anyone who's fallen in love with an iPod or Wii game console can attest to, good product design matters. It can matter more, in fact, than how many (or what kind) of features are crammed into a device.

A December 2006 Hong Kong trade show examined ways technology can help the world's poor.

Consider the N-Gage game phone that Nokia launched four years ago. Despite some great features and a global marketing campaign, poor design made the product a highly ridiculed disappointment. (You had to shut down the phone, open the casing, and remove the battery simply to swap game cartridges, for starters.)

So, given the stakes, it's understandable why top product designers are a hot commodity in the high-tech arena. But for an increasing number of designers, the stakes are even higher elsewhere: global poverty.

Imagine taking the industrial design smarts behind the iPod and applying it to the far more basic technology needs of the extremely poor. In the past, few top designers would have bothered. But that's changing.

At MIT, Stanford, and other universities, young design and engineering talents are eagerly enrolling in courses that teach them how to meet the technology needs of the developing world. Stanford offers a course called "Entrepreneurial Design for Extreme Affordability." One of the teachers, David Kelley, is the founder of IDEO, the industrial design firm behind such tech classics as the Palm V PDA and the first production mouse for the Lisa and Macintosh computers from Apple.

Amy B. Smith, an inventor who lectures at MIT, said her course on design for the developing world gets about a hundred applicants, but she can only take 30.

Smith was a lead organizer behind the International Development Design Summit (www.iddsummit.org), held at MIT this summer and planned again for next year. Mechanics, doctors and farmers from around the developing world teamed up with top design talents to come up with "pro-poor" technologies that are inexpensive and effective. One, an off-grid refrigeration unit, uses PVC piping, tiny water drips, and an evaporation-based cooling method to store perishable food in rural areas.

An exhibit called "Design for the Other 90%" (http://other90.cooperhewitt.org) recently ran at the Cooper-Hewitt National Design Museum in New York. The exhibit highlighted the "growing trend in design to create affordable and socially responsible objects for the vast majority of the world's population (90 percent) not traditionally serviced by designers," according to organizers.

Getting attention were items such as the StarSight utility pole, which draws energy from its solar panels to provide lighting, wireless Internet access, security surveillance and more (see www.starsightproject.com).

Meanwhile, a pioneer of pro-poor technologies is behind a new organization that will churn out even more ideas. Paul Polak, who started International Development Enterprises (www.ideorg.org) about 25 years ago to aid the rural poor, helped launch a new organization called D-Rev a few months ago. D-Rev is keeping a low profile to ensure a smooth take-off.

A non-profit organization, IDE gained recognition for encouraging the use of water treadle pumps in Asia and Africa. The pumps are made of basic materials readily available in remote areas, but reminiscent of StairMasters in that stepping motions are used to draw up groundwater for watering crops (http://other90.cooperhewitt.org/Design/bamboo-treadle-pump).

Other IDE projects include dirt-cheap ceramic water filters and simple but effective irrigation systems. The idea with each project is to "activate the markets" so that small local merchants have a profit-motive to sell such technologies to poor farmers in their area.

D-Rev, the new organization, will encourage the design of more products for low-income people, but not only for the rural poor. The organization is keeping mum on many details, but one of its projects is a "one-horse micro-diesel engine, which will do for mechanization at the village what the Prius did for the motor car," Polak said.

Another is an electro-chlorinator approach to purifying drinking water in the slums.

"One of the problems with slums is a lot of times they don't have access to a water supply, or they tap into the city water, which really makes you sick because it's got pathogens," Polak said. "I think we can do a low-cost kiosk that'll set up a slum entrepreneur on a franchise basis with $300 in capital costs that'll produce 5,000 liters of drinkable water a day." Imagine 10,000 such kiosks, he added, and you've got a big business.

Polak foresees more designers getting involved in such projects. "Most of the designers in the world spend all their time working to solve the problems of the richest 5 [percent] or 10 percent of the world's customers," he said. "Before I die I want to see this crazy ratio reversed."

He's hopeful, partly because of the reaction he sees among designers. "When they get an opportunity to do this different kind of design," he said, "many of them absolutely love it."

Another D-Rev project is a $15 computer aimed at the rural illiterate. But it's less like a laptop and more like an electronic talking book, ala the LeapFrog Leap Pad and the Fisher Price PowerTouch toys.

These toys come in the form of a flat plastic slate into which a book and electronic cartridge can be attached. When the book is opened and the user touches the page, the combined electronics in the slate and the cartridge respond by voice recordings that are relevant to the page.

D-Rev describes the interface it's designing as somewhat similar. And like the toys, the device will be highly interactive, intuitive to use (zero training required), and usable even by those who are not literate, in English or their own language.

The cartridges, which might sell separately for around $3.50 each, could teach various things in various language, depending on the local needs. One might teach rural farmers in monsoon areas who are familiar only with rice paddies how to grow, maintain and profit from other crops during the long dry season.

In the forgotten reaches of the developing world, where poverty strikes deep and many can't read in any language, such a computer might prove more useful than, say, a $100 laptop with an English-language keyboard.

"The 800 million people who can't read and write wouldn't know what to do with a laptop," said Polak. "So you've got to radically change the whole product, radically change its price and radically change its distribution, its marketing strategy. And now you have a digital revolution for the poor."


Source from: edition.cnn.com

Review: Cutebug a fun, funky carry-all laptop bag

art.Cutebug.jpg

(CNET.com) -- Were it not for its slightly large size (the better to accommodate your 15.4-inch laptop), we'd think the $90 Mobile Edge Cutebug Messenger was another trendy everyday bag.

But behind its vinyl front flap -- like the Cutebug Sheba we reviewed earlier this year, decorated with a striking image taken from a midcentury pulp magazine -- you'll find a padded laptop compartment and a handful of helpful organizer pockets.

Inside, a padded laptop compartment provides a good level of protection for your machine, and a handful of organizer pockets keep pens and other items contained. And while the Cutebug Sheba was too small to carry much more than an ultraportable laptop, the Messenger version offers enough space for a mainstream laptop and several accessories.

The vintage magazine cover art on the flap of the Cutebag Messenger provides a lot of its appeal. Against a light-green backdrop, we see a heavily made-up brunette who's looking off to the side. The cover line next to her reads, "Bright promises"; above her, on the left side of the flap (the cover is reproduced sideways), you see the magazine's title in red: All-Story Love.

The overall effect is retro and feminine, if not quite as girly as the pinkfest found on the Cutebug Sheba. The bag's back panel is made of dark purple velvet, which opens (via a Velcro tab) onto a slender pocket for reading material or folded papers. The rest of the bag is made of typical black nylon. About the only thing we wished we had on the bag's exterior was a dedicated pocket to keep a cell phone within easy reach.

Under the graphic flap, which is held in place by a wide Velcro strap, an accordion fold compartment contains organizer pockets for a cell phone or MP3 player, a larger pocket that could hold a CD jewel case, and two pen loops. This compartment is somewhat expandable, so there's plenty of room for a paperback, makeup bag, or other accessories; we do wish there were zippers down the sides of the compartment to allow for easier access to its contents.

The bag's open main compartment is divided into two spaces. In the front there's rooms for notepads and file folders, plus a small zippered pocket on the front wall that can keep important papers or discs secure. In the back is the laptop compartment, lined on all sides with Mobile Edge's SafetyCell padding, which reminds us of a fabric-covered bubble wrap. (A similar padding strategy can be found in the more expensive Skooba Satchel 2.0 Luxe.) A Velcro strap across the top of the compartment holds the laptop in place.

We were able to comfortably fit the 15.4-inch Fujitsu LifeBook V1010 and its power cords, plus a magazine, a large bound journal, and a few file folders in the main compartment of the Mobile Edge Cutebug Messenger. We also stocked its organizer pockets with pens, cell phone, a wallet, and other accessories for a day's work. All the contents fit easily and could be carried messenger-style, though we did find ourselves wishing the bag's removable strap pad (in the same purple velvet as the back panel) offered more cushioning.


Source from: edition.cnn.com

'One Laptop' a hit in Peruvian village

art.onelaptop.kids.eat.ap.jpg

ARAHUAY, Peru (AP) -- Doubts about whether poor, rural children really can benefit from quirky little computers evaporate as quickly as the morning dew in this hilltop Andean village, where 50 primary school children got machines from the One Laptop Per Child project six months ago.

A group of children have breakfast at a public dining room reading information on their laptop in Peru.

These offspring of peasant families whose monthly earnings rarely exceed the cost of one of the $188 laptops -- people who can ill afford pencil and paper much less books -- can't get enough of their "XO" laptops.

At breakfast, they're already powering up the combination library/videocam/audio recorder/music maker/drawing kits.

At night, they're dozing off in front of them -- if they've managed to keep older siblings from waylaying the coveted machines.

"It's really the kind of conditions that we designed for," Walter Bender, president of the Massachusetts Institute of Technology spinoff, said of this agrarian backwater up a precarious dirt road.

Founded in 2005 by former MIT Media Lab director Nicholas Negroponte, the One Laptop program has retreated from early boasts that developing-world governments would snap up millions of the pint-sized laptops at $100 each.

In a backhanded tribute, One Laptop now faces homegrown competitors everywhere from Brazil to India -- and a full-court press from Intel Corp.'s more power-hungry Classmate.

But no competitor approaches the XO in innovation. It is hard drive-free, runs on the Linux operating system and stretches wireless networks with "mesh" technology that lets each computer in a village relay data to the others.

Mass production began last month and Negroponte, brother of U.S. Deputy Secretary of State John Negroponte, says he expects at least 1.5 million machines to be sold by next November. Even that would be far less than Negroponte originally envisioned. The higher-than-initially-advertised price and a lack of the Windows operating system, still being tested for the XO, have dissuaded many potential government buyers.

Peru made the single biggest order to date -- more than 272,000 machines -- in its quest to turn around a primary education system that the World Economic Forum recently ranked last among 131 countries surveyed. Uruguay was the No. 2 buyers of the laptops, inking a contract for 100,000.

Negroponte said 150,000 more laptops will get shipped to countries including Rwanda, Mongolia, Haiti, and Afghanistan in early 2008 through "Give One, Get One," a U.S.-based promotion ending December 31 in which you buy a pair of laptops for $399 and donate one or both.

The children of Arahuay prove One Laptop's transformative conceit: that you can revolutionize education and democratize the Internet by giving a simple, durable, power-stingy but feature-packed laptop to the worlds' poorest kids.

"Some tell me that they don't want to be like their parents, working in the fields," first-grade teacher Erica Velasco says of her pupils. She had just sent them to the Internet to seek out photos of invertebrates -- animals without backbones.

Antony, 12, wants to become an accountant.

Alex, 7, aspires to be a lawyer.

Kevin, 9, wants to play trumpet.

Saida, 10, is already a promising videographer, judging from her artful recording of the town's recent Fiesta de la Virgen.

"What they work with most is the (built-in) camera. They love to record," says Maria Antonieta Mendoza, an Education Ministry psychologist studying the Arahuay pilot to devise strategies for the big rollout when the new school year begins in March.

Before the laptops, the only cameras the kids at Santiago Apostol school saw in this population-800 hamlet arrived with tourists who visit for festivals or to see local Inca ruins.

Arahuay's lone industry is agriculture. Surrounding fields yield avocados, mangoes, potatoes, corn, alfalfa and cherimoya.

Many adults share only weekends with their children, spending the work week in fields many hours' walk from town and relying on charities to help keep their families nourished.

When they finish school, young people tend to abandon the village.

Peru's head of educational technology, Oscar Becerra, is betting the One Laptop program can reverse this rural exodus to the squalor of Lima's shantytowns four hours away.

It's the best answer yet to "a global crisis of education" in which curricula have no relevance, he said. "If we make education pertinent, something the student enjoys, then it won't matter if the classroom's walls are straw or the students are sitting on fruit boxes."

Indeed, Arahuay's elementary school population rose by 10 when families learned the laptop pilot was coming, said Guillermo Lazo, the school's director.

The XOs that Peru is buying will be distributed to pupils in 9,000 elementary schools from the Pacific to the Amazon basin where a single teacher serves all grades, Becerra said.

Although Peru boasts thousands of rural satellite downlinks that provide Internet access, only about 4,000 of the schools getting XOs will be connected, said Becerra.

Negroponte says One Laptop is committed to helping Peru overcome that hurdle. Without Internet access, he believes, the program is incomplete.

Teachers will get 2 days of training on the laptops, Becerra said. Each machine will initially be loaded with about 100 copyright-free books. Where applicable, texts in native languages will be included, he added. The machines will also have a chat function that will let kids make faraway friends over the Internet.

Critics of the rollout have two key concerns.

The first is the ability of teachers -- poorly trained and equipped to begin with -- to cope with profoundly disruptive technology.

Eduardo Villanueva, a communications professor at Lima's Catholic University, fears "a general disruption of the educational system that will manifest itself in the students overwhelming the teachers."

To counter that fear, Becerra said the government is offering $150 grants to qualifying teachers toward the purchase of conventional laptops, for which it is also arranging low-interest loans.

The second big concern is maintenance.

For every 100 units it will distribute to students, Peru is buying one extra for parts. But there is no tech support program. Students and teachers will have to do it.

"What you want is for the kids to do the repairs," said Negroponte, who believes such tinkering is itself a valuable lesson. "I think the kids can repair 95 percent of the laptops."

Tech support is nevertheless a serious issue in many countries, Negroponte acknowledged in a phone interview.

One Laptop is currently bidding on a contract with Brazil's government that Negroponte says demanded unrealistically onerous support requirements.

The XO machines are water resistant, rugged and designed to last five years. They have no fan so they won't suck up dust, are built to withstand drops from a meter and a half and can absorb power spikes typical of places with irregular electricity.

Mendoza, the psychologist, is overjoyed that the program stipulates that kids get ownership of the laptops.

Take Kevin, the aspiring trumpet player.

Sitting in his dirt-floor kitchen as his mother cooks lunch, he draws a soccer field on his XO, then erases it. Kevin plays a song by "Caliente," his favorite combo, that he recorded off Arahuay's single TV channel. He shows a reporter photos he took of him with his 3-year-old brother.

A bare light bulb hangs by a wire from the ceiling. A hen bobs around the floor. There are no books in this two-room house. Kevin's parents didn't get past the sixth grade.

Indeed, the laptop project also has adults in its sights.

Parents in Arahuay are asking Mendoza, the visiting psychologist, what the Internet can do for them.

Among them is Charito Arrendondo, 39, who sheds brief tears of joy when a reporter asks what the laptop belonging to ruddy-cheeked Miluska -- the youngest of her six children -- has meant to her. Miluska's father, it turns out, abandoned the family when she was 1.

"We never imagined having a computer," said Arrendondo, a cook.

Is she afraid to use the laptop, as is typical of many Arahuay parents, about half of whom are illiterate?

"No, I like it. Sometimes when I'm alone and the kids are not around I turn it on and poke around."

Arrendondo likes to play checkers on the laptop.

"It's also got chess, which I sort of know," she said, pausing briefly.

"I'm going to learn."

Copyright 2007 The Associated Press. All rights reserved.This material may not be published, broadcast, rewritten, or redistributed.


Source from: edition.cnn.com

Review: 13-inch MacBook laptop a top choice

art.MacBook.jpg

(CNET.com) -- Introduced in the fall of 2006, the current version of Apple's 13-inch MacBook laptop was a revolutionary product, combining Intel's Core 2 Duo CPUs with Apple's much-lauded operating system. Add in Apple extras such as the iSight camera, Front Row remote, iLife software, and MagSafe power adapter, and you have what is arguably one of the best-loved laptops on the planet.

Since then, Apple has been content to issue minor periodic hardware upgrades, which, while not all that exciting, continue to add CPU horsepower while keeping prices steady.

The latest update, from November 2007, bumped up the top available CPU to a 2.2GHz Intel Core 2 Duo, and added Intel's Santa Rosa platform and slightly better integrated graphics, resulting in a modest boost in performance.

But you'll probably be much more interested in Apple's new Leopard version of its OS X operating system, which comes preinstalled on new MacBooks. It adds a handful of useful new features, keeping the MacBook in our top tier of laptop recommendations, even if we're secretly itching for something new.

While the $1,099 entry-level MacBook is available only in white, we're much more used to seeing the black version (starting at $1,499) in the wild. The matte black look still isn't quite as sharp as the metallic MacBook Pro, but we still like it better than the plastic-looking white finish.

Inside, you'll find Apple's typically minimalist setup, including a power button, a full-size keyboard, a sizable touch pad with a single mouse button, and a built-in iSight camera that sits above the display. If you miss the scroll bar found on almost every Windows laptops, the two-finger scroll option works well (run two fingers down the touch pad, and it scrolls like a mouse wheel).

We remain fans of Apple's flat-key keyboard, although Windows users will have to get used to a Delete key that functions like a PC Backspace key, and no standalone equivalent key for what PCs call Delete. Compared with previous MacBooks, the main visual difference is that a few of the alternate functions on the F keys have been juggled around.

The biggest new feature is the inclusion of Apple's latest version of OS X, commonly known as Leopard.

The look and feel are largely unchanged, but several useful new features have been added, including Time Machine, an easy-to-use backup utility; Spaces, which allows you to set up multiple desktops (one with all your media apps open or one for Web pages) and swap between them on the fly; and Quick Look, which lets you open a fast preview version of any document or file without waiting for their associated applications to open.

The MacBook still includes the Front Row remote control (sadly, only available in white), and the extremely handy MagSafe power adapter, which handily (and safely) detaches itself from a magnetic plug on the laptop's side when you invariably trip over the power cord.

The 13.3-inch wide-screen LCD display offers a clear and easy to read 1,280x800 native resolution, which is standard for a screen this size, as well as most 14- and 15-inch laptops (although Apple's 15-inch MacBook Pro offers a higher 1,440x900 resolution).

Apple's previous revision added support for 802.11n Wi-Fi technology, but the lack of an SD card reader remains one of the MacBook's few weak spots. Adding mobile broadband -- not offered by Apple -- will also be difficult without an Express card slot.

Not surprisingly, we saw a decent uptick in performance from the new 2.2GHz Intel Core 2 Duo CPU, with the new system beating the earlier 2.16GHz MacBook in each of our benchmark tests.

If you have a previous generation MacBook, the difference isn't enough to make you want to go out and get a new one, but credit goes to both the fast CPU and Intel's Santa Rosa platform for the improvement. Note that our review unit came with 2GB of RAM, a $150 upgrade over the default 1GB offered in even the $1,499 MacBook.

The MacBook ran for 4 hours and 30 minutes on our DVD battery drain test, which is even longer than the 3 hours and 36 minutes we got on the older 2.16GHz MacBook. We again give credit to the efficient Santa Rosa platform, and because our DVD battery drain test is especially grueling, you can expect even longer life from casual Web surfing and office use.

We're still not fans of Apple's nearly obligatory extended warranty upsell. The default warranty for the MacBook is one year of coverage for parts and labor, but toll-free telephone support is limited to a mere 90 days - -well short of what you'd typically find on the PC side -- unless you purchase the $249 AppleCare Protection Plan, which extends phone support and repair coverage to three years.


Source from: edition.cnn.com

Review: Sony VPL-VW200 is the projector to beat

art.sony_vpl_vw200.jpg

(CNET.com) -- Sony's 2007 flagship front projector, the VPL-VW200, uses the company's variant of LCoS, called SXRD, and like most high-end projectors, it features a native resolution of 1080p. Those specs and jargon may well impress your buddies, but the real story is in the picture.

The VPL-VW200 is the most color-accurate front projector we've seen for less than $30,000, and it basically smokes anything at or near its price range in overall image accuracy.

Sony must have listened to our incessant complaining about inaccurate primary and secondary colors, as the company has delivered near perfection in that area.

This unit also adds some really flexible setup features, and it looks great hanging from the ceiling. As of this writing, the Sony VPL-VW200 is the new high-end projector to beat.

In the grand tradition of Sony's upper-end SXRD projectors, the VPL-VW200 has a sleek, high-tech industrial design that should appeal to just about everyone. To our eyes, it's the most attractive projector since the days of the Ferrari-inspired, Pinafarina-designed Vidikron CRT chassis.

The Sony's finish is a metallic gray, with black accents on the top and bottom, and the cabinet reminds us of an eye when seen from the front.

The design of Sony's remote is equally impressive. It seems as if it weighs 10 pounds, instilling a feeling of outstanding build quality not unlike the projector, which itself weighs a hefty 44 pounds. The remove is fully backlit, making adjustments in the dark a snap. The internal menu system is identical to that of the Qualia 004, the original 1080p SXRD projector, and its smaller predecessor sibling, the VPL-VW100. We found it easy to navigate, and we liked the vertically arrayed set of pages.

The VPL-VW200 is loaded with a number of useful features--and a few you need to be warned against using. Sony gets the unofficial "feature of the year award" in the projector category with its Panel Adjust feature, which enables you to move the LCoS panels to improve alignment, much like converging a CRT's three guns. It is the most comprehensive feature of its kind, and it even includes a Zone option that lets you tweak red and blue anomalies all around the screen.

Another nice option that came out of the CRT projector era, and one that is rare, even on the most expensive fixed-pixel projectors, is the blanking feature, which eliminates overspray (light leaking beyond the borders of the screen area itself) right to the edge of the picture. We were a little disappointed that the VPL-VW200 lacks horizontal lens shift, but it does have vertical lens shift to help in the installation of the projector relative to the screen.

Sony offers the usual array of selectable picture modes and color temperatures. Modes include Dynamic, Standard, and Cinema, while color temps include High, Mid, and Low, with independent grayscale controls for each. The Cinema Black Pro feature controls the iris setup, which gives you Auto 1, Auto 2, Manual, and Off. We liked Off most, as it provided ample light output, and blacks remained stable--whereas the Auto modes change black level as the content of the picture changes.

Under the Expert setting, you'll find Film Mode for 2:3 pull-down, which should be set to "on," and Gamma Correction, which we turned off for the best gamma curve.

There are also two dubious features that we recommend you leave turned off. The first is RCP (Real Color Processing), which was originally designed as a color management system but never worked well, in our experience. In fact, there is no need to even include this feature because the primary and secondary colors on the VPL-VW200 are exceptionally close to the HDTV standard in the Normal color space setting.

The second is MotionFlow, which is Sony's name for its 120Hz dejudder video processing. MotionFlow creates enough problems, to our eye, that it simply needs to be left off; see the performance section for details.

Connectivity is reasonably comprehensive for a front projector. Two HDMI inputs are the most important video connections, followed by the lone component video input. A single S-Video and one composite video input will serve for legacy Laserdisc, VHS, and S-VHS sources. There is also a 15-pin VGA input for computer hookup, and an RS-232 port for control touch-panel programming. An Ethernet port labeled Network rounds out the connectivity.

In terms of overall picture quality, Sony's VPL-VW200 is simply the best projector in its class by a wide margin. Most notably, the company has done an excellent job of significantly improving color accuracy over the earlier VPL-VW100, and the VW200 exhibited the most accurate color we've seen from just about any projector, with the exception of the ultra high-end Runco units.

The Sony isn't perfect, of course; we would love to see the company improve on its video-processing scheme, as well as give the VW200 the ability to fully resolve 1080p sources without any loss whatsoever, but in fairness, almost everything we see on the market exhibits the same problem. As for now, $15,000 can't buy you better performance--to achieve that, you will need to spend about twice as much or more.

By "color accuracy," we mean the combination of color decoding, grayscale tracking, and the primary and secondary colors themselves. The Sony's color decoding is spot-on, and grayscale tracking is excellent, but most gratifying to our eye was the accuracy of all six primary and secondary colors. While not exactly perfect, they are close enough to the HDTV standard that we don't think any improvement is necessary. We seriously doubt whether anyone, even a seasoned professional, could tell that they aren't perfect without the benefit of some very expensive test equipment.

White-field uniformity, which can be an issue with three-chip projectors, also looked pretty good on the Sony. The scene in the beginning of Chapter 5 on the Blu-ray version of The Italian Job, where the crew celebrates in the snow-capped Austrian alps, is a good test for this. The snow did have some minor color splotches--red in the upper-right side, to be specific--but it was subtle and not distracting. The Carl Zeiss lens on the VPL-VW200 is also a step up from the VPL-VW100, and panel alignment, especially after the adjustment we mentioned, was far superior.

Measuring both 1080p and 1080i at the HDMI inputs, the amplitude was down a bit, indicating a slight loss of resolution because of the internal scaling. The same thing was visible on the HD DVD version of Silicon Optix HQV test disc. This area of performance could stand some improvement, though it isn't a major knock. Notably, the Sony passed both of HQV's resolution loss tests, indicating proper de-interlacing of 1080i material.

With the iris set to off, we achieved a nice, bright image on an 80-inch-wide Stewart Grayhawk RS screen. With that said, the 400-watt Xenon lamp in the projector is not capable of as much light output as we would have expected, and so the maximum screen size will be limited somewhat. The Auto Iris modes are a bit brighter, but you don't want to employ them because black level changes on the fly, and we found the change clearly visible and distracting, as the picture content changes.

Blu-ray and HD DVD discs looked superb on the VPL-VW200. Chapters 4 and 5 of the excellent transfer of The Italian Job on Blu-ray looked awesome, with exceptional color saturation and accuracy. We also spun up the HD DVD version of Batman Begins to take a look at some dark material. The very beginning scene, when young Bruce Wayne falls into the cave, revealed excellent black-level performance. In the same chapter, when the adult Wayne ends up in a Chinese jail cell, shadow detail abounded in the dark parts of the wall. Overall, blacks looked rich and inky on the Sony.

To test the MotionFlow 120Hz video processing, we repeatedly played back the opening scene in the diner on the Blu-ray transfer of The Departed. Motionflow on Low and High changed the look of the pan across the counter from filmic to cartoonish.

In Chapter 5 of The Italian Job, serious artifacts were introduced around Mark Whalberg's face when it was engaged. These two scenes were enough to convince us to leave this hyped video feature set to "Off" with the VPL-VW200.


Source from: edition.cnn.com

Power-sipping TV a hit at CES

art.philips.tv.jpg

At CNET, we take HDTV power consumption seriously, which helps explain our excitement when Philips announced its Eco TV. The 42-inch, 1080p resolution, flat-panel LCD, model 42PFL5603D (due in March, $1,399 MSRP), is packed with power-saving features.

Philips' 42-inch Eco TV used as little as 75 watts during company demo at CES.

Chief among them is the ability to dim the backlight--by up to five times peak brightness--in response to program material, much like the "local dimming" found on Samsung's LED-based LN-T4681F.

Dimming the backlight in darker scenes has the dual benefit of saving power and improving black-level performance, according to the company.

The backlight can also be dimmed via a room lighting sensor, so in dark rooms it will use less power. There's also traditional a "power-saving" mode that caps the peak light output.

All of these features can be turned on or off at the viewer's discretion, which should please videophiles since many of these features' potential effects, such as black-level fluctuation, could negatively impact home theater image quality.

With this trifecta engaged, we saw the panel's power consumption dip to an impressive 75 watts during the in-booth demo--Philips had hooked up a Watt's Up to track consumption.

That's a bit more than a standard incandescent light bulb and 30 watts less than the most miserly 42-inch LCD we've tested ourselves so far, Philips' own 42PFL7432D measured after calibration. The Eco TV's standby power is also less than 0.15 watt according to the company, also among the best we've seen.

Until we test it over a period of time we have no idea how much money this HDTV will save on your annual power bill--the dimming backlight introduces too many variables--but we don't expect it to be more than $50 over a standard 42-inch LCD, assuming average energy costs.

Philips also built in a few other non-power-related greenie features, including lead-free materials and only "trace" amounts of mercury, which enables it to comply with strict ROHS and State of Vermont standards, respectively.

And yes, even the box is made from recycled material.

The 42PFL5630D lacks the company's patented Ambilight technology, which is actually another power-saving perk since those lights draw more juice.

It also lacks the high-end features such as the 120Hz technology found on its more-expensive brethren--this is strictly a mass-market TV, and one that should be more satisfying to environmentalists than any large-screen flat-panel we've seen so far.


Source from: edition.cnn.com